Works across painting, sculpture and installation, assembling red-lacquered surfaces, black mirrors and cast fragments of the body into arrangements that read like signage.

A nomadic platform crossing art and rave: hybrid nights with live screenprinting, collective cooking and a graphic identity in violet duotone. It makes the party an exhibition format and the temporary space a brief institution.

Painting of surface and sediment: earthen layers, veiled whites and mineral blacks that behave less like image than like wall. The work retains time — dust, damp, erosion — rather than representation.

Sculpture in black metal: lines that open like stems, panels verging on stained glass, objects hesitating between furniture and organism. She works black as drawing in space — more graphic than volumetric.

Label based in Porto, active between sound editions and event organising. It communicates through hand-drawn posters and operates at the scale of the neighbourhood, where sound functions above all as a means of gathering.

A collectible design gallery devoted to unique furniture and lighting pieces from the 80s, 90s and 2000s. A curatorial gaze on the domestic object as a document of its era.

Harpist and performer based in Porto. She combines harp, electronics and movement in concerts that resist the closed hall — festivals, streets, encampments — treating the classical instrument as a noisy body and a collective tool.

A practice in drawing and printed image that crosses a devotional vocabulary — heart, womb, blood, angel — with the aesthetics of the photocopy and the diary. The body appears annotated, written upon, always on the verge of becoming relic.

Photographer working between Madrid and Porto. She builds a portraiture of proximity — skin, interior light, suspended gestures — in which body and fruit share the same carnality and the intimate is never separable from the domestic.

A project devoted to screenprinting, print editions and photography, with sustained attention to how art inhabits the domestic interior. It treats the print as an object of use and the wall as a field of reading.

A practice in sound and moving image. Keyboard, video archive and degraded digital surfaces are brought together in pieces of sober tone, attentive to empty spaces and to the noise that lingers after the event.

Still-life and portrait photographer. He composes flowers, glass and drapery with an evident memory of genre painting, displacing the baroque onto a clean, contemporary surface.

Moves between installation, object and writing. He composes scenes of extreme economy — an open book on the floor, an electric fan, a blue monochrome — in which the exhibition space is treated as material and silence as form.

Sculptor and creative director. He works red as organic matter — hearts and figures in dense mass, somewhere between baroque reliquary and fashion object — moving his practice between studio, editorial and staging.

Art director between Paris and Porto, designing furniture in the hours between. Walnut, aluminium and glass are arranged into compositions of graphic rigour, where the domestic object is handled with the discipline of a page.